A recent story on The New York Times website featured a new web series, ‘Ocean Parkway’, which takes its ‘quirky’ characters from the neighborhood streets. The series looks at Brooklyn through the eyes of two tweens and their parents. That web series has now been pitched to HBO with four episodes and is under consideration for development.
There are not enough series, nor films that reflect the ordinary lives of people in a meaningful way and that can be watched by all ages. My life work, as a positive psychologist, is based on the belief that listening to ordinary kids, tweens, teens, and adults and deeply understanding their needs, passions, feelings, longings and goals is the best way to get real understanding, compassion and problem solving going. The results are often extraordinary, as strengths, talents and potential begin to emerge.
‘The Truth, a Short Film’ and now in production, ‘Secrets’ both reflect the ordinary and the extraordinary of girls, tweens and teens in our society. In each film, a young girl, moving from being a tween to a teen, confronts all the issues of her life. She has angst and joy, troubles and fun while dealing with everything from falling in love, to family upsets, to struggling with loss, to finding ways to hold on to the best of herself as her life continues to unfold.
My short two minute film, ‘The Truth, A Short Short Film’, premiered at FilmOneFest in July. The film was chosen as an Official Selection in the Chain Film Festival held in Manhattan on August 13, 2016. ‘The Truth, a Short Film’, a longer 16 minute portrayal of a girl growing up, has been officially selected for the Golden Door International Film Festival to be held in September 2016. The Rahway International Film Festival recently chose the 2 minute version as an Official Selection.
Yes, the character, based on the ‘girl’ in my two books, ‘The Truth’ and ‘Secrets’ is both ordinary and extraordinary. But there is another twist to all of this. And that is the use of the Selfie in film making.
In both of these films, the actual actress, in ‘The Truth’, Cassidy Terracciano, and in ‘Secrets’ Megan Brown, not only play the part of ‘the girl’ but they do their own filming via their phones. This is an incredible leap in filmmaking. I directed both girls, but not at the moments they finally filmed themselves. They did that at home alone in the privacy of the merger of themselves with the character. I’m excited to see the use of selfies not only enhancing the actor’s capacities to make the character come alive, but resulting in a film that is a more intimate, ‘real’ artistic experience, for the viewer.
What does this mean for the phenomenon of Selfies? I think it means that allowing a person to get closer to herself, whether that means capturing on video or in pictures oneself via Seflies or whether it means merging the deepest parts of an actress with the character at hand has tremendous potential for mental health and for filmmaking.
