The Truth for Tweens and Teens: Parents Please Come Up To The Plate

A Party where Alcohol is served to minors from Barbara Holstein on Vimeo.

Anyone is raising a child realizes how exhausting and difficult it can be to be a parent. At every stage of development there are problems: How to potty train?; separation anxiety starting school; nightmares; siblings fighting; poor eating habits; whining; loss of a pet; getting adjusted to a new school; bullying; friend drama; etc.

But perhaps nothing equals some of the anxiety, rage and panic a parent can have once her child reaches being a tween and then a teen. Looming in front of her are all the reports on drugs, drinking, overdoses, suicides, guns, constant social media, YIKES.

Parties, friends, learning to drive, drinking, bullying, school work, family fighting, crushes, too early sexual activity. How can we stay alert to tween and teen danger?

1. Never to late to sit down with your tween and teen and go over the rules of your home. That can include among your unique rules such as shoes off at the front door, more general rules such as curfew hours, chores, cell phone usage, keeping you up to date on where your child is, money constraints, etc.

2. Rules are great but you don’t have to stop with the formality of the do’s and don’ts. It is a perfect time to talk about values and issues. Tell your tween or teen what your values are around such things as alcohol, drugs, sex, vulgar language, etc. Don’t be afraid, they want to know what you think about serious matters. And make sure you are clear about what is legal in your state. If the drinking age is 21, or even 18, if she is 17 and invited to have a beer at someone’s home, there is only one clear answer. “No, thank you.”

3. Most important is to help your tween or teen understand that you are on their side. No matter what tight spot they may find themselves in, they can always call upon you for help and guidance. Yes, you may be angry and at times even have to ‘act like a parent’ and yell or insist on things going a certain way, but it all comes from love and having taken on the responsibility of helping your child grow up to be a wonderful adult.

Take a look at the film clip above from ‘Help From Beyond, A Coming of Age, Selfie Film’. https://vimeo.com/247253509 I directed, wrote and am now creating the finished product. It spins off of my two books for girls, tweens and teens: The Truth, Diary of a Gutsy Tween and Secrets, Diary of a Gutsy Teen. In this scene the girl has gone to a party where there is drinking. Her mother is furious but also concerned. Can you relate to this scene? Feel free to share your thoughts.

New e-book: A Selfie Film: Falling In Love: Based on Secrets of a Gutsy Teen

Trailer for 'Falling in Love, A Coming of Age, Selfie Video' from Barbara Holstein on Vimeo.

Making a film is an incredibly exciting adventure. Even more exciting is developing a new form of filmmaking where the character films her own scenes using her phone while a film crew works around her. I am proud to be one of the originators of this form of filmmaking.

The script is done, but the twists and turns are never expected. Just like writing a novel, I found each film I produce begins to have a life and destiny of its own. This is so true for ‘Falling in Love, A Coming of Age, Selfie Film’. Using real locations is fascinating in and of itself. We chose Tuzzio’s Restaurant in Long Branch, New Jersey for 4 of the scenes. This involved the restaurant opening just for us, including the cast and over 35 extras. Food was served and scenes were altered to represent different seasons of the year. It was so much fun. Megan Brown, the star, did such a great job chatting up her mom (played by her real mother, Cris Brown) as they eat in four different locations of the restaurant, always with the same waiter hovering. (See the film to find out why he is so important).

Another fascinating aspect to making the film was all the filming we didn’t use for this version of Falling in Love. Why? Not because it wasn’t great but because the film was revealing so many important topics and life events that kids go through as they grow up that we just couldn’t fit them all into one film!!! Finally, with some disappointment I as the director, had to choose the clear focus of this film and save footage for at least two more versions of the same story.

Afterall, one look at the same circumstances is never enough. We all know how the same moment in time can leave each person involved with a different reaction or impression. Yes, this was a year the girl fell in love, but it was also the year that lots of other things happened to her. They were just as important and alluded to in this 14 minute film. But they couldn’t be fully explored. They will be as I unfold the next version of ‘Falling in Love’. Will it be the importance of friends as we become teens or the frailties, disappointments and shocks of family life? Stay tuned….

Meanwhile, the wonderful thing about A Selfie Film: Falling In Love is that the reader gets to see behind the scene photos and some of the footage of the final film while becoming in immersed in thought questions and discussions that can take the reader on her own adventure of either remembering the important feelings and decisions of coming of age or have a base to discuss these concepts with her family, students, friends, etc.

News Blast:
Come in see the premiere of this film March 4,2017 at the Brightside Tavern Short Film Fest in Jersey City, New Jersey. It is up for two awards: Best Experimental Short Film, and Best New Jersey Short Film.

Selfies as a New Took in Filmmaking

A recent story on The New York Times website featured a new web series, ‘Ocean Parkway’, which takes its ‘quirky’ characters from the neighborhood streets. The series looks at Brooklyn through the eyes of two tweens and their parents. That web series has now been pitched to HBO with four episodes and is under consideration for development.

There are not enough series, nor films that reflect the ordinary lives of people in a meaningful way and that can be watched by all ages. My life work, as a positive psychologist, is based on the belief that listening to ordinary kids, tweens, teens, and adults and deeply understanding their needs, passions, feelings, longings and goals is the best way to get real understanding, compassion and problem solving going. The results are often extraordinary, as strengths, talents and potential begin to emerge.

‘The Truth, a Short Film’ and now in production, ‘Secrets’ both reflect the ordinary and the extraordinary of girls, tweens and teens in our society. In each film, a young girl, moving from being a tween to a teen, confronts all the issues of her life. She has angst and joy, troubles and fun while dealing with everything from falling in love, to family upsets, to struggling with loss, to finding ways to hold on to the best of herself as her life continues to unfold.

My short two minute film, ‘The Truth, A Short Short Film’, premiered at FilmOneFest in July. The film was chosen as an Official Selection in the Chain Film Festival held in Manhattan on August 13, 2016. ‘The Truth, a Short Film’, a longer 16 minute portrayal of a girl growing up, has been officially selected for the Golden Door International Film Festival to be held in September 2016. The Rahway International Film Festival recently chose the 2 minute version as an Official Selection.

Yes, the character, based on the ‘girl’ in my two books, ‘The Truth’ and ‘Secrets’ is both ordinary and extraordinary. But there is another twist to all of this. And that is the use of the Selfie in film making.

In both of these films, the actual actress, in ‘The Truth’, Cassidy Terracciano, and in ‘Secrets’ Megan Brown, not only play the part of ‘the girl’ but they do their own filming via their phones. This is an incredible leap in filmmaking. I directed both girls, but not at the moments they finally filmed themselves. They did that at home alone in the privacy of the merger of themselves with the character. I’m excited to see the use of selfies not only enhancing the actor’s capacities to make the character come alive, but resulting in a film that is a more intimate, ‘real’ artistic experience, for the viewer.

What does this mean for the phenomenon of Selfies? I think it means that allowing a person to get closer to herself, whether that means capturing on video or in pictures oneself via Seflies or whether it means merging the deepest parts of an actress with the character at hand has tremendous potential for mental health and for filmmaking.